Credit: ALISA BANKS

Historic entertainer Hattie McDaniel paved the way for generations of Black performers. From humble beginnings in Kansas to her historic Oscar win for her role in the classic film, “Gone with the Wind,” McDaniel’s journey embodies iconic talent and resilience against all odds.

Alongside McDaniel’s entertainment legacy actress and singer, Vickilyn Reynolds, has emerged as a modern-day torchbearer, channeling the trailblazer’s spirit through her own theatrical pursuits.

Reynolds’ acclaimed one-woman show, Hattie…What I Need You To Know, reflects her dedication to preserving McDaniel’s legacy. Both women symbolize the power of representation, and the enduring impact of those who dare to follow their passions.

Credit: ALISA BANKS

Born June 10, 1893 in Wichita, Kansas, McDaniel was the youngest of 13 children. Her mother, a gospel singer by the name of Susan Holbert, and her father, a member of the 122nd U.S. Colored Troops were both formerly enslaved. When McDaniel was seven years old, the family moved from Kansas to Colorado, eventually settling in the capital city of Denver.

McDaniel discovered freedom of expression through reciting poetry and captivating audiences at East High School. She left school early to focus on her budding career which carried her from Colorado to the West Coast.

Initially, she showcased her songwriting talents alongside her family in The McDaniel Sisters Company minstrel show, which performed at carnival shows presented by one of her brothers. Her show featured female-focused storylines and perspectives, leading to the creation of her famously outspoken “Mammy” character. She also launched a radio singing career and performed with Professor George Morrison’s Melody Hounds ensemble on tour.  She was able to dance while singing the blues, earning the nickname “the old pep machine,” for her cheerful nature. Throughout the 1920s, she continued to refine her craft, traveling with Black vaudeville groups as a blues singer and becoming the first Black soloist on Denver’s KOA radio station in 1925.

Raised in Philadelphia, Reynolds’ childhood was immersed in creativity, reminiscent of McDaniel’s Colorado upbringing. Her childhood performances, often staged in her mother’s bustling beauty shop, mirrored McDaniel’s youthful penchant for entertaining classmates with her musical talents.

Reynolds attended Overbrook High School, a performing arts school where she was able to hone her talents. Later in life, she received the Drama Logue Award for her role in The Colored Museum. She also faced a pivotal decision after high school; despite plans to attend nursing school, she received an offer to join a singing group, The New Day. Encouraged by her brother, Tony Award winner Ron Richardson, who believed her talent shouldn’t be wasted, Reynolds also sought her mother’s advice. “You have to do what makes you happy. Just be the best at whatever you are,” she remembers her mother saying.

Inspired by her family’s support, Reynolds chose to pursue her passion for music. She was signed by Philly International Records while still in high school, and lent her background vocals to renowned artists like The Spinners, The O’Jays and Michael Jackson.

Reynolds learned about the first Black Academy Award winner at an early age, and chose to honor McDaniel by incorporating her own experiences and creativity into her work, writing ten of the twelve songs featured in Hattie…What I Need You to Know.

In addition to sharing a striking resemblance to McDaniel, Reynolds’ research found parallels between their lives, further fueling her desire to bring her story to life. She began writing the play in 1997, dedicating a decade to its development. Debuting in 2007, the show captivated audiences in Denver, San Francisco and Los Angeles. Over the years, awards received include the LA Ovation Award, the Vivian Robinson Audelco Award and the Black Theater Alliance Award. She was also nominated for the Drama Desk Award for The Colored Museum at the acclaimed New York Public Theater.

Through their respective contributions to the entertainment industry, both McDaniel and Reynolds left indelible marks on music and performance, embodying creativity and artistic innovation.

McDaniel’s path to Hollywood stardom was marked by her ability to overcome obstacles. Despite setbacks, she seized an opportunity to work as a restroom attendant at Sam Pick’s Club. She sang and hummed as she worked, leading patrons to demand that she be included in performances. She continued to pursue Hollywood aspirations, with hopes of showcasing her acting skills.

Simultaneously, McDaniel left her mark on radio with The Optimistic Do-Nuts, making history as the first Black person to star in a weekly radio program on “The Beulah Show.” This achievement further shattered racial barriers in entertainment.

Reflecting on a poignant moment after a performance of Hattie…What I Need You to Know, Reynolds recalls how her rendition of the original song “A Childless Mother” deeply resonated with an audience member, providing a cathartic release and leaving a lasting impact. This emotional connection exemplifies McDaniel’s ability to transcend boundaries and touch hearts through her shared stories.

McDaniel starred in approximately 300 films throughout her career, though she received credit for fewer than 100 of them. No other actor is known to have such an extensive filmography.

Having lived during a time of overt racism and bigotry, she faced numerous challenges in her career including typecasting and criticism from organizations like the NAACP, which accused her of perpetuating stereotypes. In defense of the roles she accepted, she pointed out the realities of employment opportunities for Black people during that time, “Surely you don’t think the roles I portray are obsolete?” McDaniel once pragmatically challenged. “I can be a maid for $7 a week, or I can play a maid for $700 a week.”

Despite these obstacles, “She was so loved by Hollywood, both Black and white,” says Reynolds.

McDaniel was actively involved in advocating for change within the industry. She worked with the Fair Play Committee to enact changes in scripts, such as removing racial slurs. Her role as a pioneering Black actress continues to inspire discussions about representation and equality in Hollywood.

Reflecting on the importance of McDaniel’s story, Reynolds believes that her stage play is an important contribution that honors her legacy and keeps her spirit alive. “I would love to see it become a movie,” she says.

Before her brother passed away, he urged Reynolds to delve into McDaniel’s story, suggesting that she explore the entertainer’s life despite negative connotations surrounding her roles. Actor Larry Riley agreed, encouraging Reynolds to take on the task and advising, “If no one approaches you with the idea, write it yourself.”

Riley’s words, spoken on the set of the film “Polly,” resonated deeply with Reynolds. Following Richardson’s and Riley’s passing within a year of each other, she felt compelled to honor them by taking their advice. Reflecting on their guidance, she recalls, “I thought, oh my gosh, maybe these guys are leaving me something.”

“I think I was actually born to portray Hattie McDaniel,” she says. “Her story is inspirational and not just for show business. She beat all odds.”

Reynolds is an honorary member in the Sigma chapter of Sigma Gamma Rho Sorority, Inc., echoing McDaniel’s affiliation with the same sorority. Inspired by her philanthropic legacy, Reynolds contributes to initiatives supporting marginalized women, including those recently released from prison, by providing clothing and resources for job interviews. She is working to establish a foundation honoring McDaniel, aimed at empowering young women transitioning out of foster care by teaching essential life skills. Through her endeavors, she ensures that McDaniel’s spirit of compassion lives on.

McDaniel passed away in 1952, after battling breast cancer and surviving a heart attack. Her death occurred during the filming of the televised version of “The Beulah Show.” She was posthumously celebrated with dual stars on the Hollywood Walk of Fame – one commemorating her contributions to radio, and the other to film. In 1975, she was inducted into the Black Filmmakers Hall of Fame, further solidifying her enduring impact in the entertainment industry. In 2010, she was inducted into the Colorado Women’s Hall of Fame.

Reynolds, who is widely recognized for her role in the 1995 comedy film “Friday,” continues to advance her own career as a celebrated and respected figure in music, television, film and theater. While continuing to forge her own path, she is working to preserve the legacy of her predecessor and one of America’s greatest change making pioneers.

Editor’s note: For more information on Hattie What I Need You To Know, email Vickilyn Reynolds at candoo13@gmail.com

Latrice Owens